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The Master of Arts in Global Communications (MAGC) is one of the few MA programs in
the world to undertake the systematic study of
global communication systems. The massive
technological revolution provided by the
internet, digitalization, and the economic
transformations caused by brand globalization,
combined with the intercultural tensions
associated with these tendencies, are the
focus of the program.
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The major in Global
Communications trains students in a liberal arts
tradition to think critically and creatively
about the contemporary communications
environment which they experience as global
citizens and possibly, soon, as practitioners of
professional communication. It provides students
with substantive knowledge based on current
research, with practical skills and analytical
ability to understand (and play an active role
in) the complex dynamics of communication at
global, local, and individual levels. Graduates
of this major understand the huge and rapid
trends and rifts appearing in societies as media
converge, new cultural forms, practices and
spaces emerge, and belief structures shift.
Student Learning Outcomes
Global Communications
majors will:
gain insight into the history and construction
of communication as a field;
develop in-depth knowledge of theoretical
foundations and recent developments in
particular tracks or emphases of study;
learn a solid liberal arts background necessary
for success in graduate study in communication
studies;
learn practical skills applicable for students'
careers in communication fields;
master communication research methods, including
historical, textual, socio-cultural, and
empirical approaches and procedures for writing
and presenting research;
sharpen international media literacy skills;
learn communication's role
in global identity formation and the influence
of this process transculturally.
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Requirements for the Major in
GLOBAL COMMUNICATIONS |
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FirstBridge
8 FirstBridge courses change every year.
GENERAL EDUCATION REQUIREMENTS
Up to 8 EN 110 College Writing, EN 220 Writing and Criticism
Up to 22 French through FR 235 and FrenchBridge
4 Historical and Cross-Cultural Understandings
4 Social Experience and Organization
4 from either of the above two categories
Up to 8 Scientific and Mathematical Investigations
CORE
Required (26 credits)
CM 123 Media Analysis
CM 204 Comparative Historical Communication
CM 206 Media Globalization
CM 251 Communication Theory and Research Techniques
CM 352 Rhetoric and Persuasion
CS/CM 105 Introduction to Web Authoring
CM 398 Internship or
CM 490 Senior Seminar (Honors students must do Senior Seminar)
MEDIA and CULTURE ELECTIVES
Students to select four courses from the following, at least two
of which must be 300 level or above. (16 credits)
AN 101 Social Anthropology or
AN 102 Cultural Anthropology
CM 205 Communication and Society
CM 221 The Internet and Globalization
CM/GS 304 Communicating Fashion
CM 306 Color as Communication
CM 311 Comparative Political Communication
CM/SO 331 Media Sociology
CM 333 Scripts for Travel
CM/ES 337 The Museum as Medium
CM 346 Media Law, Policy and Ethics
CM/AN 349 Media and Ethnography
CM/GS 353 Media and Gender
CM 355 Visual Rhetoric: Persuasive Images
CM 361 Cultural Institutions, Actors and Goods
CM 362 Media Semiotics
CM/ES 370 Cultural Dimensions of the European Idea
CM 375 Media Aesthetics
CM 386 Contemporary World Television
CM 400 Topics in Communication
CM 417 Media and War
CM 426 Cultures of Music Production
SPECIALIZATIONS
Select three* courses from any or all of the areas
Students can choose to have a specialization. If they
wish to have a specialization, they must do three courses in one of the
areas listed below, at least two of which must be at 300-level or above. If
they choose not to have a specialization, they must choose three courses
from any of the areas below or from MEDIA and CULTURE (if not taken as an
elective), at least two of which must be at 300-level or above. (12 credits)
Production
AR 160 Introduction to Photography and Documentary Expression
CM/FM 119 Principles of Video Production
CM 201 Speech
CM 327 Video Production for Broadcast News
CM 333 Scripts for Travel
CM 341 Modules in Mass Communication Techniques
CM 416 Global Advocacy
CM 426 Cultures of Music Production
CM 428 Advanced Video Production
Any Film Pragmatics Course (listed as such in the Film Studies major)
Media
Convergence
CM 221 The Internet and Globalization
CM 335 Theory and Practice of Digital Interactivity
IT/CM 338 Digital Media I
CS/CM 348 Human-Computer Interaction
Any International Cinema course (listed as such in the Film Studies major)
Integrated
Marketing Communications
BA 220 Management and Organizational Behavior
BA 240 Marketing
BA 330 Human Resources Management
CM 161 Intercultural Communication
CM 305 Public Relations and Society
CM 367 Advertising
CM 448 Marketing Strategies for Brand Development
IT/CM 302 E-Commerce
EC/CM 203 The New Economy and the Media
EC 210 Principles of Microeconomics
EC 220 Principles of Macroeconomics
Journalism
* If Journalism is chosen as the specialization the student must
choose four courses under Journalism. (16 credits)
CM 211 Journalism I
CM 212 Journalism II
CM 305 Public Relations and Society
CM 313 Broadcast News Writing
CM 346 Media Law, Policy and Ethics
CM 412 Feature Journalism
CM 414 Comparative Journalism
CM 416 Global Advocacy
CM 417 Media and War
CM 428 Advanced Video Production
Transfer
students must take 24 credits in the major at AUP to receive their degree in
Global Communications. They must also take 16 credits of CM-listed classes of a 300 or
above level (not including internship) at AUP.
Plus GENERAL ELECTIVES to total 128 credits.
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Global Communications |
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19 June 2009»
Media and
Belief: Religion, Authority, Vision
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Organized
by NYU's Department of Media, Culture, and Communication and
AUP's Department of Global Communications
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Jayson
Harsin presented research on Obama and
Rumor Control at the International
Political Science Association's
E-Democracy Workshop in Dubrovnik last
month. |
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[AUP - Posted 17 June 2010] |
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Yudhishthir
Raj Isar took part in the France 24 show
called ‘The debate’ on the evening of
April 7; the topic was US hegemony in
cultural globalization. His article
entitled ‘International organizations and
culture: new horizons for policy advice?’
was published in Vol. 2, no. 4 of the
Zeitschrift für Politikberatung.
Entries by him on the topics ‘Civil
Society and Cultural Organizations’ and
‘Civil Society and Culture’ appeared in
the
International Encyclopedia of Civil
Society, H.K. Anheier, S. Toepler &
R. List (eds.). New York: Springer, 2010. |
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[AUP - Posted 6 May 2010] |
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Stephen
Monteiro’s article “Outside and
In-Between: Representation and Spatial
Production in Dominique Gonzalez-Foerster’s
Urban Imagery,” appears in the spring 2010
issue of
Visual Resources (Routledge). More
information is available
here. |
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[AUP - Posted 6 May 2010] |
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Waddick
Doyle participated in a roundtable at a
conference on Virtual and Internet
Communication in the
Mediterranean: Complex Identities and the
Transformations of Social Bonds (La
communication virtuelle par l’Internet, la
complexité des identités, et les
transformations des liens sociaux en
Méditerranée) held in Tunis by the
IRMC (Institut de Recherche sur le
Maghreb Contemporain). He also gave a
paper entitled “How to live together and
secularism: Sufi responses to Media
Islamophobia” at a conference entitled
Sufism and Society: Reality and
Perspectives, held in Madagh, Morocco on
February 26 and 27. |
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[AUP - Posted 2 Apr 2010] |
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Jayson
Harsin attended the South by Southwest
Music Industry Conference and Festival in
Austin, TX, where he wrote concert reviews
and articles on the state of the music
industry and conducted interviews for
PopMatters Magazine online. |
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[AUP - Posted 2 Apr 2010] |
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Yudhishthir Raj Isar took part in a panel
discussion on Culture and Conflict in
Global Perspective organized by the
Bertelsmann Stiftung at the Representation
of the State of North Rhine-Westphalia to
the European Union in Brussels on March 22
to present a report of the same name based
on research carried out by Professor Aurel
Croissant and colleagues at the University
of Heidelberg with the support of the
Bertelsmann Foundation. On March 29, he
was a panelist at the event entitled Any
Questions About the Arts? chaired by the
broadcaster Jonathan Dimbleby at the
University of Exeter, United Kingdom; the
event was designed to mark the launch of
the university’s ‘Arts and Culture
Strategy.’ |
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[AUP - Posted 2 Apr 2010] |
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Stephen Monteiro presented his paper,
"Designing Men: Andy Warhol's Camouflage
and Patterns of Masculinity," at the
College Art Association Annual Conference
in Chicago in February. |
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[AUP - Posted 2 Apr 2010] |
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Charles
Talcott gave a paper entitled "Thai me up,
Thai me down: the 'Bad Life' of
Politicized Prostitution" at the annual
conference of the Association for the
Study of Law, Culture and the Humanities (ASLCH)
held at Brown University, March 19-20. |
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[AUP - Posted 2 Apr 2010] |
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Pat
Thompson worked as line producer for two
recent episodes of the adventure reality
show, The Amazing Race, which were
broadcast on the CBS network in March. One
featured a recreation of a World War I
battle near Verdun and the other focused
on the Champagne region. The Amazing Race
just won its 8th Emmy Award in a row for
best program in its category. More than
100 local staff worked on the French
production, including several AUP alumni. |
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[AUP - Posted 2 Apr 2010] |
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Christy
Shields-Argeles gave a two day intensive
seminar on the topic of "Gastronomy and
Identity" to international students at the
Institut Polytechnique de LaSalle Beauvais.
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[AUP - Posted 4 Mar 2010] |
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Julie Thomas has published a chapter on
“Fashion and Ethics, Reinventing Models of
Consumption and Creativity,” co-authored
with Mo Tomaney, in Vol. III of
The
Cultures and Globalization Series,
Cultural
Expression, Creativity, and Innovation
(Sage), edited by Helmut Anheier and Raj
Isar. Her chapter analyzing transnational
identity in a recent museum exhibition,
“Recycling Heroines in France:
Invisibility and the Transnational,” is to
be published in the summer in
Circuits
of Visibility (NYU Press), and a
chapter entitled “The Manipulation of
Memory and Heritage in Museums of
Migration” will be published in Vol. IV of
The
Cultures and Globalization Series
in the Fall. |
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[AUP - Posted 4 Mar 2010] |
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